Tag: #thecentralline

The Central Line, part 2…

The Central Line is a lot like the “force” in Star Wars. It’s an energy, a vibrant presence that you can find in any room where two or more are gathered. Although it may sound a bit dogmatic, this idea is less concerned with religion and more concerned with collaboration, especially within the confines of creativity.

Now, the Harvard Lectures by Bernstein are absolutely what drew me to this idea, but similar to my misquoting of Yoda in the Empire Strikes Back, I took something Bernstein said and ran wit it in a different direction. You see, when Bernstein refers to the “central line” in these lectures, he was simply talking about the central figures in music, the most important line in the music, like a motif or a melody. The conductor, the musicians in the orchestra, they serve the central line at any given time in a piece of music. The neurons in my brain formed and accepted this connection, but the scope of the idea was enlarged, as well, almost simultaneously. What if the central line is present in any situation where collaboration is concerned?  

Like a photograph of the sky meeting the sea, the Central Line lies in the middle of a dichotomy. It is also a slightly more metaphysical version of “the best idea in the room wins”. It begins with the natural order of things: the light in the room, the temperature of the air, registering every inch of yourself, sending every inch of yourself its own bodily electricity, the gravity keeping your feet on the ground, the Earth is the third planet from the sun, our solar system is part of the Milky Way galaxy, and so on and so forth. It really is electric.

Next is a journey inward. Every experience you’ve ever had, every skill you’ve ever learned, perfected, every incredible thought you’ve ever had, made available to you right here, now.

And then?

Gently dismiss it all. Simply be present, hopefully with a grin of opportunity. Let the ideas rip. By acknowledging all that you are and everything around you, you create a space for your ego to operate without the impulse for attention. The impulse is to serve. Not the Central Line, mind you. The Central Line only requires acknowledgment. Serve the others in the room (ideas included). Serve this good earth. Serve the cosmos. All the while serving yourself because your ideas (whether utilized or not) are emanating from you.

Dichotomies and paradoxes await.

The Central Line, part 1…

I pride myself on the ability to connect dots among seemingly unrelated topics when in conversation with other people. Whether memories or music, poetry or prose, commentary or conjecture, I like being able to conjure up a conversational tangent that ends up illuminating the whole of what was initially being discussed. Quoting film and television is no exception.

Every now and then, I find that I have been quoting something incorrectly for years. Always amusing and humbling in nature, this tends to happen when I am merging philosophical ideas. For instance, the quote from Yoda, in The Empire Strikes Back, is, “Always in motion is the future.” For years, decades actually, I heard, “Always EMOTION is the future”.

I kid you not, I did not catch this error until a few years ago, and yet, there is a surprising amount of truth in my misquoted version. Emotion does dictate what one’s next steps will be, inevitably leading to the future. Our emotions are in various states of flux, in motion, if you will.

Another example of my misquoting helped shape the title of my blog, and it highlights a musical, even spiritual devotion to the journey that I am on. The Central Line. It begins with a set of cd’s with two names in large print. MAHLER/BERNSTEIN.

My introduction to Leonard Bernstein, during my undergraduate years of study, is a life marker for me. I was 19. I saw a set of cd’s with two names in large print. MAHLER/BERNSTEIN. This set of cd’s was a baptism into two artists whose influences in my life cannot be understated. Thankfully, this is not an isolated phenomenon for either artist, but Bernstein’s influence reaches us all at one point or another. Sad to think that in his final days, he was seen shouting at the sky, cursing God for seemingly not being given enough time to feel fulfilled. I’d like to think that in the end, he made peace with it all. His analysis of Mahler’s Das Lied von der Erde made me feel like he had mastered the art of feeling at peace with the end. He magically and masterfully illuminated the finale’s story about a character that seemingly merges into the nothingness of space, into eternity. “Evig, evig…”

Leonard Bernstein took the time to give as much insight as he could to anyone who would listen. The Young Person’s Guide to the Orchestra (tv series) was such a gift from him to the public. There was also a six part lecture series he gave at Harvard, titled: The Unanswered Question after a piece by Charles Ives. The piece by Charles Ives is worth exploring in and of itself, but the lecture series? It is the Holy Grail of musical and poetic understanding, and if you connect with it, it will shape you in a way that applies to everything you will ever do. The key to it all? The Central Line.

The Central Line (part 2 coming shortly). Sorry for the post being split up.